CTS Exam Dumps - AVIXA Communications Certifications Questions and Answers

The light output of a projection system is typically measured in lumens, which quantify the total amount of visible light emitted by the projector. Lumens measure the projector's brightness, making it a standard metric for comparing different projectors' output capacities.

Lux is used to measure illuminance or the amount of light falling on a surface.

Footcandles is another unit of illuminance, similar to lux but based on the imperial system.

Contrast ratio describes the difference in luminance between the brightest white and the darkest black a projector can produce, not the brightness itself.

CTS Technology Specialist Reference

According to CTS training materials, projector brightness should be specified in lumens, which provides a clear indication of the projector's suitability for different environments and screen sizes.

The budget section of a program report describes the probable costs of an AV project. This section outlines the estimated expenses for equipment, labor, installation, and other associated costs, providing the client with a financial overview of the project. Axis Technology Specialist documentation specifies that a detailed budget is essential for planning and managing project finances effectively.

The question relates to viewer distance based on image height, which is part of image size and viewing distance calculations under AVIXA design principles.

This screen is 65" diagonal with a 16:9 aspect ratio. The image height is given as 31.6" (80.2 cm).

According to the AVIXA CTS Exam Guide, the formula for minimum (nearest) viewing distance for a basic decision-making (BDM) environment is:

Minimum viewing distance = 1.5 × Image Height

— AVIXA CTS Exam Guide, 5th Edition – Chapter 7: Display Design, p. 155

So in this case:

Image Height = 31.6 inches (80.2 cm)

Nearest Viewing Distance = 1.5 × 31.6 inches = 47.4 inches ≈ 4'8" (1.4 m)

Thus, the correct and closest viewing distance to ensure readability and visual comfort is Option C: 4'8" (1.4 m).

Note: For analytical decision-making (ADM), a shorter distance might be used (up to 4× height), and for passive viewing (PV), longer distances are acceptable. But this question implies nearest (minimum) viewer positioning, hence the 1.5x rule applies.

???? References:

AVIXA CTS Exam Guide, 5th Edition – Chapter 7: Display Design, p. 150–160

AVIXA Design Reference: Image Size for 2D Content in Audiovisual Systems (ANSI/AVIXA V202.01:2016)

In a conference room with glass walls, high ceilings, and wooden floors, the biggest challenge would be handling reverberance. These materials and architectural features tend to reflect sound, creating excessive reverberation that can lead to poor speech intelligibility and overall sound quality. Addressing this issue typically involves acoustic treatments to absorb or diffuse sound.

A managed switch is essential for logically isolating control and media networks because it allows for advanced network configurations such as VLANs (Virtual Local Area Networks). VLANs enable the segmentation of a network into separate, isolated sub-networks, ensuring that control traffic and media traffic do not interfere with each other. This isolation improves network performance, security, and manageability. Managed switches provide the necessary features to implement and manage these configurations effectively.

The loud squealing noise is feedback, often caused by open (but unused) microphones picking up sound from the speakers and reintroducing it into the system. Muting unused channels eliminates that loop and is considered best practice during live sound reinforcement.

“Muting unused microphones prevents feedback loops and is an essential practice in live sound environments.”

— AVIXA CTS Exam Guide, Audio Troubleshooting and DSP Management

The Needs Analysis phase of the AV Design process focuses on understanding the specific needs and requirements of the project. This includes identifying the functional requirements, which detail what the system must be able to do to meet the client's objectives. This step ensures that the design will align with the user's needs and provides a foundation for developing the technical specifications and design plans.

The best immediate workaround is to patch the input directly to the output, bypassing the switcher. This allows the system to continue functioning while a more permanent solution is found. It ensures that the client experiences minimal downtime and disruption. Changing the power supply or replacing the switcher are also viable options, but they may take more time and resources. Calling the manufacturer for support can also be part of the solution process, but it doesn't provide an immediate workaround.

The second pattern from the left (the figure-eight pattern).

The figure-eight (or bidirectional) microphone pattern is the most susceptible to feedback among the choices shown. This pattern picks up sound equally from both the front and rear of the microphone while rejecting sound from the sides. Due to its large rear lobe, it is prone to capturing sounds from reflective surfaces or rear-facing speakers, which can lead to feedback in a live sound environment.

Here's a breakdown of the patterns:

First pattern (Omnidirectional): Captures sound from all directions. While it can be prone to feedback, it doesn’t have a rear lobe like the figure-eight pattern.

Second pattern (Figure-eight/Bidirectional): Susceptible to feedback because it picks up equally from both front and back, which can include unwanted sound reflections.

Third and Fourth patterns (Cardioid and Supercardioid): These are more directional with better rear rejection, thus less susceptible to feedback.

Fifth pattern (Shotgun): Highly directional with minimal pickup from the rear and sides, making it the least susceptible to feedback.

CTS Technology Specialist Reference

CTS materials on microphone types and placement emphasize that bidirectional (figure-eight) microphones should be positioned carefully in live sound setups to avoid unwanted rear lobe pickup, which can lead to feedback when speakers are positioned behind or to the sides of the microphone.

The circuit on the right is a combination parallel/series circuit. In this configuration, two sets of speakers are connected in parallel, and these parallel sets are then connected in series. This type of arrangement allows for balancing the load across multiple speakers while maintaining the desired impedance levels.